As of late, my latest video, Phantom, Kiss the Girl, can be found on your favourite video server like Youtube. For now, I want to explain some of the brainwave entrainment (BWE) technology that went into this video.As you might know, the BWE audio visual effects are from Mind Stereo. I captured the A/V effects in Windows with Cam Studio. The particular BWE Session I chose in Mind Stereo was the Schumann Resonance, which helps induce alpha rhythms for relaxation and visualization.In the A/V session editor window, you can click and edit any of the present nodes:
Upon clicking a node, the background node window pops up. Here you can adjust rate or frequency, the ramp time to the rate, and different types of intensities which are all kinds of fun. We have pulse, low-pass, pitch modulation, crossfeed, and auto-pan intensity controls. Let me cover two where I made adjustments: Pulse and AutoPan Intensity controls,
Pulse Intensity is basically the sweep rate; basically, the Schumann frequency of 7.8… Hz is riding a further wave of 314 Hz. I chose 314 because it’s close to π, but 2 decimals ahead. I wanted a golden ratio between the Pulse Intensity and the auto pan intensity, so I divided 314 by 1.62 (3 significant digits of the golden ratio) and got ~194 Hz. Then I plugged that number into the auto-pan intensity; this is the rate of panning between right and left channels.
Therefore, between Pulse Intensity which shifts the audio amplitude up and down while the auto-pan intensity shifts the audio right and left, we experience an interesting sympathetic resonance because our neural patterns extrapolate the golden ratio between the shifts; it’s an interesting, natural ability that we have that allows us to discern patterns in nature.
It just so happens that all of living nature is based on the golden ratio. Patterns produced by lightning are based on the Golden Ratio. Our post synaptic potentials within our brains are based on the Golden Ratio. Patterns in the stock market are based in social mood which is based in the Golden Ratio as proven by Elliott Wave International and the Socionomics Institute with their successful predictions in the stock market. In fact, here’s an EWI report on Human Social Experience; it’s quite enlightening.
My intuition told me that if human behavior can be predicted mathematically, then the converse must also be true: Human behavior can also be adjusted mathematically. The golden ratio in birds’ tweeting, the dawn chorus, the oceans, the wind, the rain is the reason nature has such a calming effect on our minds.*
My goal for this video is that the viewer would feel relaxed while experience positive hallucinations. You saw for yourself how the video is jacked. I mean there’s all kinds of intense flashing. BTW: I used the “cosmic nebula” visual in Mind Stereo because it reminded me a little bit of the champagne bubbles from the Lawrence Welk Show (I used to watch it with my father), so it has a festive look to it.
The Positive Hallucinations mean that the viewer comes away from the video experiencing the same effects while seeing things that aren’t there. My intention for this video was to make something for the guys. Obviously, because it’s “Kiss the Girl,” as long as you’re not Katy Perry, it’s meant for the Guys, OK.
When I was an audience response auditor for the movie trailors, I noticed how there was a lot more flashing of intense, sensory imagery when advertising the action movies; it was mostly males in the audience when they did this. When you’ve seen enough movie trailors the way I have and worked enough with brainwave entrainment, then you would also figure out what Hollywood is doing.
Intense sensory imagery flashing on the retina tends to burn the image into our neural patterns. As I was looking back and forth between movie trailor and audience, I would see their response; it became obvious to me, the trance like, hypnotic effect this intense flashing from the big screen was having, mainly on the guys, since we’re visually oriented.
A few times I interviewed some of the audience to find out what they remembered the most from a trailor; they would actually report seeing things that weren’t there!
OK, that means if I put some pretty ballroom dancing women on a golden ratio BWE with an intensified kiss the girl theme, there should also be some interesting positive hallucinations there.
I could be wrong. Maybe the video is too jacked. You tell me.
I would like to thank Hans and Annie Schmidt for allowing me to film this Disney Themed Ballroom Dance Event on at their place of business, San Jose Dance Sport Centre in San Jose, CA. Thanks also to all the wonderful dancers, especially Jennifer, a choreographer. I know she wanted me to dance, but I chickened out.
At the moment, I’m still working on the Supernatural NLP. I’m hoping to make it several steps above and beyond Storm NLP. I truly appreciate the accolades from Dr. Bruce Eisner on this work; it takes recognition from guys like this to keep me going. Also, if it weren’t for Milton Erickson visiting me in my dreams, I wouldn’t be this good at the Milton Method, so thanks to Dr. Erickson as well.
My motivation for Supernatural NLP is a UFO experience reported by a woman, so this video will once again be geared towards the women’s mind patterns. This time I will try my acting ability. I will try to be as realistic as possible. I’ve been watching this actor on a religious station tell tales from the Bible as he plays different roles – and he’s very captivating. I won’t be playing different roles, but I will try to be captivating and come up with that video by 31 October 2009.
Thanks for your time.
Healing Thoughts, HealingMindN
Randolph Fabian Directo
*At Binaural Harmonics, I discussed what I like to call “bioheterodyning” wherein the frequency following neuro-dynamics produce binaural beat frequencies when differing frequencies are discerned between right and left ear.
A great part of those neuro-dynamics are provided by the inner ear. I believe the inner ear serves as a harmonic translation mechanism for differing sound waves to be discerned and extrapolated. This is the reason we extrapolate binaural beat frequencies. (In fact, there are a variety of harmonic translation mechanisms in the living system.)
Since the inner ear is a harmonic translation system for waves beyond the acoustic range (as proved by ELF entrainment effects and the effectiveness of the Flanagan Neurophone communication which uses ultra-sonic frequencies), then it is capable of three dimensional seismic exploration which allows us to determine depth, height, and breadth of a sound source. We can compare the following excerpt to the function of the inner ear:
Algorithm stability is ensured by choosing an integration step size dz (change in depth) that is smaller than the horizontal sampling interval, and by using a three-term smoothing filter in the directions x and y (with bandwidth proportional to the ratio between vertical and horizontal sampling intervals)…
(US Patent 6418380 – Method for seismic processing and in particular for three-dimensional seismic exploration using seismic data migration)
What better smoothing filter than the harmonic translation provided by the human inner ear? Therefore, I will further explore this ability for 3-dimensional seismic exploration of the inner ear by providing the most bizarre sound waves for you to interpolate. Of course, this process is many steps beyond the steadfast and basic binaural beats, but the living system needs to work with complexity so we can exercise our abilities of harmonic translation. Let’s give it what it craves.